© Aram Han Sifuentes

designed by Ishita Dharap

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EDUCATION

2013: M.F.A. Studio Art/Fiber & Material Studies, School of the Art Institute of Chicago, Chicago IL.

2011: Post- Baccalaureate Certificate in Fine Art, Maryland Institute College of Art, Baltimore, MD.

2008: B.A. Practice of Art and Latin American Studies, University of California, Berkeley, CA.

          Regents and Chancellor’s Scholar

‚Äč

AWARDS

2019: Maker Grant, Chicago Artist Coalition, Chicago, IL

2019: Faculty Enrichment Grant, School of the Art Institute of Chicago, Chicago, IL

2019: Emerging Voices Award Finalist, American Craft Council, Minneapolis, MN

2018: Part-Time Faculty of the Year, School of the Art Institute of Chicago, Chicago, IL

2017: Sustainable Arts Foundation Awardee, Sustainable Arts Foundation, San Francisco, CA

2017: Beazley Design of the Year Finalist, Design Museum, London, UK

2017: Faculty Enrichment Grant, School of the Art Institute of Chicago, Chicago, IL

2016: 3Arts Awardee, 3Arts, Chicago, IL

2016: Faculty Enrichment Grant, School of the Art Institute of Chicago, Chicago, IL

2016: Reinhold Foundation Visiting Professional, University of Oregon, Eugene, OR

2015: Craft Research Fund Travel Grant, Center for Craft, Creativity and Design, Asheville, NC

2015: DCASE Grant, City of Chicago’s Department of Cultural Affairs and Special Events, Chicago

2015: Faculty Enrichment Grant, School of the Art Institute of Chicago, Chicago, IL

2015: Grant, Puffin Foundation LTD, Teaneck, NJ

 

FELLOWSHIPS

2019: Individual Fellowship Program, Collaborator of Roberto Sifuentes, Asian Cultural Council, New York City, NY

2016: Smithsonian Artist Research Fellowship, Smithsonian Institution, Washington, D.C.

2013: Curatorial Fellowship, School of the Art Institute of Chicago, Chicago, IL

 

RESIDENCIES

2019: Artist in Residence, A.Farm, Ho Chi Minh City, Vietnam

2018: Artist in Residence, Pulitzer Arts Foundation, St. Louis, MI

2018: Gyopo-in-Residence, The Back Room at Kim’s Corner, Chicago, IL

2018: Artist in Residence, Hyde Park Art Center exchange with Frise Künstlerhaus Hamburg, Hamburg, Germany

2018: HCL Sponsored Artist Program, High Concept Labs, Chicago, IL

2017: Facebook Artist in Residence, Facebook, Chicago, IL

2017: Take Action, Alphawood Gallery, Chicago, IL

2017: DCASE Public Studio, Chicago Cultural Center, Chicago, IL

2015-16: Bolt Residency Mentor, Chicago Artist Coalition, Chicago, IL

2015: Artist in Residence, Trenza Negra, Chiapas, Mexico

2014-15: Bolt Resident, Chicago Artist Coalition, Chicago, IL

2014: Residency and Grant, Est-Nord-Est résidence d’artistes, Saint-Jean-Port-Joli, Québec

 

SOLO EXHIBITIONS

2019 (forthcoming): Protest Banner Lending Library, Tarble Arts Center, Charleston, IL.

2019: We Are Never Never Other, University Galleries of Illinois State University, Normal, IL

2019: Protest Banner Lending Library, Handwerker Gallery at Ithaca College, Ithaca, NY

2018: To Ward Off Authorities and To Protect My Neighbors, Hyde Park Art Center, Chicago, IL

2018: Protest Banner Lending Library, Cardinal Space, Baltimore, MD

2018: We Are Never Never Other, Pulitzer Arts Foundation, St. Louis, MI

2018: We Are Not the Other. We Are the Center, Frise Künstlerhaus, Hamburg, Germany

2018: Pop Up: Take Receipts and Put it on Blast, The Luminary, St. Louis, MI

2018: Those Who Talk Back: US Citizenship Test Samplers and Protest Banner Lending Library, Asian Arts Initiative, Philadelphia, PA

2017: Protest Banner Lending Library, Chicago Cultural Center, Chicago, IL

2017: Wave Your Freak Flag by the Protest Banner Lending Library, Lillstreet Art Center, Chicago, IL

2016: The Official Unofficial Voting Station: Voting for All Who Legally Can’t, Jane Addams Hull-House Museum, Chicago, IL

2016: Younghye Han: My Mother’s First Exhibition, Chicago Artist Coalition, Chicago, IL

2015: A Mend, Babson College, Wellesley, MA

2015: Kim Jong Un Americans, Chicago Artists Coalition, Chicago, IL

 

GROUP EXHIBITIONS

2019(forthcoming): How the Light Gets In. Contemporary Artists and Migration, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY

2019: Race and Revolution: Still Separate- Still Unequal, August Wilson African American Cultural Center, Pittsburgh, PA.

2019: Asian American Storytelling Through Art, HANA CENTER, Chicago, IL.

2019: Everyday, Everyday, Everyday, Everday Freedoms, Maryland Institute College of Art, Baltimore, MD.

2019: Race and Revolution: Still Separate- Still Unequal, Woskob Family Gallery, Penn State, State College, PA.

2018: Case Study, Houston Center for Contemporary Craft, Houston, TX.

2018: Culinary Roots/Migratory Routes, Ross Museum of Art, Ohio Wesleyan University, Delaware, OH

2018: This Country, Ezra and Cecile Zilkha Gallery at Wesleyan University, Middletown, CT

2018: Life as We Know It, Eckert Art Gallery at Millersville University, Millersville, PA

2018: Forward Union Fair, Red Bull Arts, New York, NY

2018: Cry of Victory and Short Walks to Freedom, Projects + Gallery, St. Louis, MO

2018: Through Her Eye, Mana Contemporary, Chicago, IL

2018: Elegant Disruption, Zhou B Art Center and Defibrillator Gallery, Chicago, IL

2018: Living Architecture, 6018 North, Chicago, IL

2018: Banner 100 Years of Protest, New Brewery Arts, Cirencester, Gloucestershire, UK

2018: What We Make, Ross Art Museum, Ohio Wesleyan University, Delaware, OH

2018: Making Change: The Art and Craft as Activism, Museum of Design Atlanta, GA

2018: Slouching Toward Sunshine, Rutter Family Art Foundation, Norfolk, VA

2017: 2017 Beazley Design of the Year, Design Museum, London, UK

2017: The Art Next Door: Chicago’s Exemplars, Krasl Art Center, St. Joseph, MI

2017: Over and Over, Glass Curtain Gallery at Columbia College, Chicago, IL

2017: Human Human, Ralph Arnold Gallery, Chicago, IL

2017: VIP: Very Important Platforms, EXPO Chicago, 6018North and 3Arts, Chicago, IL

2017: A Matter of Conscience, DePaul Art Museum, Chicago, IL

2017: Race and Revolution: Still Separate – Still Equal, Smack Mellon Gallery, Brooklyn, NY

2017: Art Work: An Exploration of Labor, Love Apple Art Space, Ghent, NY

2017: Crossing Generations: Past, Present & Future, Surface Design Association, Hoffman Gallery, Portland, OR

2017: Making Plans, Human Resources, Los Angeles, CA

2017: Fierce Tiding, Gene Siskel Film Center, Chicago, IL

2016: Splendor of Threads, Chung Young Yang Embroidery Museum at Sookmyung Women’s University, Seoul, South Korea

2016: Everything Has Been Material For Scissors to Shape, Wing Luke Museum of Asian American Experience, Seattle, WA. Curated by Namita Gupta Wiggers

2016: Art as Social Force: It’s Your Part, Museum of Contemporary Art Detroit, Detroit, MI

2015: Make Do, Handwerker Gallery, Ithaca College, Ithaca, NY

2015: EAM Biennial 2015: Chicago Statements, Elmhurst Art Museum, Elmhurst, IL

2015: Preview 5, Chicago Artists Coalition, Chicago, IL

2015: Racecraft, Center for Art and Thought, Los Angeles, CA

2014: Preview 4, Chicago Artists Coalition, Chicago, IL

2014: Material Possessions, Lubeznik Center for the Arts, Michigan City, IN.

2014: Half the Sky: Intersections of Social Practice Art, LuXun Academy of Fine Art, Shenyang, China.

2014: Haptic: Touching Text and Textile, Adult Contemporary as part of 2nd Floor Rear Festival, Chicago, IL.

2013: Tracing Affinities, Sullivan Gallery, Chicago, IL.

2013: Modest x4, Abecedarian Gallery, Denver, CO.

2013: MFA Show 2013, Sullivan Gallery, Chicago, IL.

2013: Fiberart International, Society for Contemporary Craft, Pittsburg, PA.

2012: Forever Young, Good News Only Gallery, Chicago, IL.

2012: Mapping, Chinese-American Museum of Chicago, Chicago, IL.

2012: 40+ Years of Richard Shaw’s Students, Worth Rider Gallery, Berkeley, CA.  

 

PERFORMANCES

2018: #exsanguination excerpt, In collaboration with Roberto Sifuentes and Jon Cates, OKLAHOMO, Chicago, IL

2018: #exsanguination, In collaboration with Roberto Sifuentes and Jon Cates, Art of the Networked Practice Symposium, Chicago, IL

2017: #exsanguination, In collaboration with Roberto Sifuentes and Jon Cates, Defibrillator Performance Art Gallery, Chicago, IL

2016: Official Unofficial Voting Station: Election Night Party for the Disenfranchised with Roberto Sifuentes and Sadie Woods, Museum of Contemporary Art, Chicago, IL

2016: Imagining a Border with Piñata Walls with Yvette Mayorga, Jane Addams Hull-House Museum, Chicago, IL

2016: Jenny Polak’s Speakers’ Podium for Citizens and Non-Citizens, Logan Center for the Arts, Chicago, IL

2016: Between Borders: A Refugee Simulation Experience, Sponsored by the Temple Law & Public Policy Program, National Constitution Center, Philadelphia, PA

2015: Universal Declaration of Human Rights, Centro de Textiles del Mundo Maya, Chiapas, Mexico

2015: Immigrant Takeover, Center for Craft, Creativity and Design, Asheville, NC

2015: 2015: Kim Jong Un Haircuts, Chicago Artist Coalition, Chicago, IL

2015: Kim Jong Un Haircuts, Terrain Biennial, Chicago, IL

 

IN THE COLLECTIONS OF

DePaul Art Museum, Chicago, IL

Facebook, Chicago, IL

Design Museum, London, UK

 

WORKSHOPS

Take Receipts and Put it on Blast (Aram Han Sifuentes and Ishita Dharap)

2019: Creating Justice Symposium at Oakton Community College, Des Plaines, IL

2018: The Luminary, St. Louis, MI

 

Protest Banner Lending Library 

2019: Houston Center for Contemporary Craft, Houston, TX

Ithaca College, Ithaca, NY

Re-Joyce at Canadian Filmmakers Distribution Centre, Toronto, Canada

2018: Forward Union Fair, Red Bull Arts, New York City, NY

Cardinal Space, Baltimore, MA

Maryland Institute College of Art, MA

Pulitzer Arts Foundation, St. Louis, MO

Latina Mothers at Kingdom House, St. Louis, MO

Covenant House, St. Louis, MO

Metro Academic, St. Louis, MO

Grand Center Arts Academy, St. Louis, MO

Lewis Place Camp, St. Louis, MO

Sewcial Impact, St. Louis, MO

Latinos en Axion, St. Louis, MO

Senior Living at Renaissance Place, St. Louis, MO   

Design Museum, London, U.K

Sojourner Scholars, Smart Museum, Chicago, IL

Asian Arts Initiative, Philadelphia, PA

School of the Museum of Fine Art, Boston, MA

2017: Alphawood Gallery, Chicago, IL

Whitney Museum of American Art, New York City, NY. Protest Banner Making Workshop with Cauleen Smith

Albany Park Theater Project, Chicago, IL

Pick Museum at Northern Illinois University, DeKalb, IL

Art Institute of Chicago, Chicago, IL

Chicago Cultural Center, Chicago, IL

School of the Art Institute of Chicago, Chicago, IL. Truth. Climate. Now Symposium.

Jane Addams Hull House Museum in partnership with Gallery 400, Chicago, IL

Comfort Station, Chicago, IL

Teaching Artist Summit for Chicago Artist Coalition at Hyde Park Art Center, Chicago, IL

2016: Jane Addams Hull House Museum, Chicago, IL

              Comfort Station, Chicago, IL

 

US Citizenship Test Sampler

2018: Museum of Fine Art, Boston, MA

2017: Wing Luke Museum of Asian American Experience, Seattle, WA

Smart Museum, Chicago, IL

Jane Addams Hull House Museum, Chicago, IL

2016: Elmhurst Art Museum, Elmhurst, IL

Jane Addams Hull House Museum, Chicago, IL

Pulaski International School, Chicago, IL

Rodolfo Lozano Bilingual and International Center Elementary School, Chicago, IL

Benito Juarez High School, Chicago, IL

2015: Chicago Humanities Festival, Chicago, IL

Archives of American Art, Smithsonian’s Donald W. Reynolds Center for American Art & Portraiture, Washington, D.C.

Rodolfo Lozano Bilingual and International Center Elementary School, Chicago, IL

 

Embroidery in Translation: Traditional Korean Embroidery

2015: Centro de Textiles del Mundo Maya, Chiapas, Mexico

 

CURATED EXHIBITIONS

2015: Work Werq, FLATStudios, the headlining exhibition of visual and performance art for the Association for Asian American Studies, Co-Curated with Jacqueline Chao, Chicago, IL.

2014: On Craft, Curation of oral histories on American Craft, Archives of American Art, Smithsonian Institution, Washington, D.C.

2013: MFA Show 2013, Curatorial Fellows at the School of the Art Institute of Chicago, Sullivan Galleries, Chicago, IL

 

INVITED PUBLICATIONS

2019: “For Those Who Talk Back.” Dilettante Army. Spring/Summer 2019 Issue.

2019 “A Mother’s Work: A Mother/Daughter Seamstress/Fiber Artist’s Merging Practice and Politics.” Book Chapter in Maternal in Creative Work: Intergenerational Discussions on Motherhood and Art, edited by Elena Marcevska, Routledge.

2018: “Unsettling Coloniality: A Critical and Radical Fiber/Textile Bibliography,” co-written with Lisa Vinebaum and Namita Gupta Wiggers, Critical Craft Forum.

2017: “Steps Towards Decolonizing Craft”. Textile Society of America. Spring/Summer 2017 Issue.

2017: “Leonard Suryajaya: Don’t Hold On to Your Bones”. Asian Diasporic Visual Cultures and the Americas, Volume 3, Issue 1-2.

2015: “Questioning Americanness: Artists Yasuo Kuniyoshi and Aram Han Sifuentes”, Smithsonian Institution’s Archives of American Art Blog

2014: “Emerging Voices Aram Han.” Summer 2014: Korea East and West, Surface Design Journal.

 

KEYNOTE LECTURES

2018: “We Are Never Never Other. We Are the Center”, For Freedoms at University of New Mexico Art Museum, Albuquerque, NM

2017: “Towards Decolonizing Craft”, Surface Design Association Conference, Portland, OR

2017: “Protest Banner Lending Library: Making as Resistance”, Chicago Objects Study Initiative, Art Institute of Chicago, Chicago, IL

 

INVITED LECTURES

2019: “Artist Talk: Roberto Sifuentes and Aram Han Sifuentes,” San Art, Ho Chi Minh, Vietnam

2019: “We Are Never Never Other. We Are the Center,” Cranbrook Fiber Department, Bloomfield Hills, MI

2019: “We Are Never Never Other. We Are the Center,” Handwerker Gallery at Ithaca College, Ithaca, NY

2019: “Arts and Immigration”, Arts Alliance Illinois, Chicago, IL

2018: “We Are Never Never Other. We Are the Center,” Maryland Institute College of Art, Baltimore, MD.

2018: “We Are Never Never Other. We Are the Center,” University of Louisville, Louisville, KY

2018: “The Official Unofficial Voting Station: Voting for All Who Legally Can’t”, as part of The Library of Performing Rights Open, Live Art Development Agency, London, U.K.

2018: “Protest Banner Lending Library”, The Risk Society Symposium, Design Museum, London, U.K.

2018: “Protest Banner Lending Library: Making as Resistance”, Tufts University, Medford, MA

2017: “Towards Decolonizing Craft”, University of Wisconsin, Madison, Madison, WI

2016: “RaceCraft: Decolonizing Craft”, Racecraft Symposium, University of California, Riverside, Riverside, CA

2016: “Intersection of Politics and Craft”, Sookmyung Women’s University, Seoul, South Korea

2016: “In Translation”, Sungshin University, Seoul, South Korea

2016: “Embroidery in Translation: Globalization at the End of the Needle”, University of Oregon, Eugene, OR

2016: “The Artist’s Recipe and Embroidery in Translation: Artists Engaging the Archives”, College Art Association, Washington, D.C.

2015: “Immigrant, American/UnAmerican, At least a quarter North Korean”, Visiting Artist Lecture, Handwerker Gallery, Ithaca College, Ithaca, NY

2015: “Questioning Americanness: Artists Yasuo Kuniyoshi and Aram Han Sifuentes”, Smithsonian’s Archives of American Art, Donald W. Reynolds Center for American Art and Portraiture, Washington, D.C.

2015: “A Mend: Immigrant Sewing Projects”, Visiting Artist Talk, Sorenson Center for the Arts, Babson College, Wellesley, MA

2014: “The Lives of Things”, Artist Talk, Lubeznik Center for the Arts, Michigan City, IN.

 

ACADEMIC CONFERENCES

2019: “We Are Never Never Other. We Are the Center,” Creating Justice Symposium at Oakton Community College, Des Plaines, IL

2019: “Conversation between Aram Han Sifuentes and Indu Vashist”, Re-Joyce at Canadian Filmmakers Distribution Centre, Toronto, Canada.

2018: Panelist in “Radical Arts Therapies Pedagogy and Praxis: A Cross Disciplinary Dialogue” at Critical Pedagogy in the Arts Therapies, School of the Art Institute of Chicago, Chicago, IL

2018: Panel Chair, “Decolonizing Craft: Critical Craft Forum”, College Art Association, Los Angeles, CA

2017: “The Official Unofficial Voting Station: Voting for All Who Legally Can’t”, Open Engagement, Chicago, IL

2014: Panelist, “A Community of Non-Citizens: Proving Worth of Citizenship Through Stitching Samplers”, Panel: “Crafting Community: Textiles, Collaboration, and Social Space”, College Art Association, Chicago, IL.

 

PROFESSIONAL ASSOCIATIONS

2018-present: 3Arts Artist Council, 3Arts, Chicago, IL.

2016-present: Education Advisory Board Member, Chicago Artist Coalition, Chicago, IL.

2017-2018: Board Member, Good News Only, Chicago, IL.

2017: Juror, Propeller Fund, Chicago, IL.

 

ACADEMIC AND PROFESSIONAL EXPERIENCE

2019-present: Adjunct Associate Professor, School of the Art Institute of Chicago, Chicago, IL.

               Liberal Arts, Undergraduate Division, Art Therapy Departments

2018-2019: Adjunct Assistant Professor, School of the Art Institute of Chicago, Chicago, IL.

               Liberal Arts, Undergraduate Division, Art Therapy Department

2013-2018: Lecturer, School of the Art Institute of Chicago, Chicago, IL.

               Liberal Arts, Fiber and Material Studies Departments

2014-present: Admissions Portfolio Reviewer, School of the Art Institute of Chicago, Chicago, IL.

2018-2019: Faculty Advisor for Student Group, School of the Art Institute of Chicago, Chicago, IL.

               Feminism in South Korea

2016-2017: Faculty Advisor for Student Group, School of the Art Institute of Chicago, Chicago, IL.

               Humans of North Korea

2014: Adjunct Professor, Harold Washington College, Chicago, IL.

               Department of Art and Architecture

 

SELECTED PRESS

2018: Hall, Kathryn, “Aram Han Sifuentes on the Protest Banner Lending Library”, Houston Center for Contemporary Craft, December 20, 2018, https://www.crafthouston.org/2018/12/aram-han-sifuentes-on-the-protest-banner-lending-library/

2018: G’Sell, Eileen, “Labor of Love”, Alive Magazine, Issue 3 2018, Print.

2018: Radyk. Michael, “Aram Han Sifuentes and the Protest Banner Lending Library”, Volume 2, Issue 2, 2018. American Craft Inquiry. Print.

2018: Acierto, Alejandro, “Aram Han Sifuentes: Protest Banner Lending Library”, Volume 4, 2018. Asian Diasporic Visual Cultures and the Americas. Print.

2018: Hahn, Valerie Schremp, “Fiber artist can teach you to make a protest banner that’s also a gallery-worthy work of art”, St. Louis Post-Dispatch, July 22, 2018, https://www.stltoday.com/entertainment/arts-and-theatre/fiber-artist-can-teach-you-to-make-a-protest-banner/article_e6c91bc5-06bf-5072-8e59-5d46dd6b5e38.html

2018: Miranda, Lynnette, “Dissenting Through Craft with Aram Han Sifuentes”, Sixty Inches From Center, May 15, 2018, http://sixtyinchesfromcenter.org/dissenting-through-craft-with-aram-han-sifuentes/

2018: Yang, Wenjing, “In the Age of Trump, A Chicagoan Created a Lending Library for Protest Banners”, ChicagoINNO, Jan 3, 2018, https://www.americaninno.com/chicago/in-the-age-of-trump-a-chicagoan-created-a-lending-library-for-protest-banners/ 

2017: Borrelli, Christopher, “Chicago Artist Creates Ingenious Library of Protest Banners”, Chicago Tribune, October 15, 2017, Print.

2017: Adamson, Glenn, “The Anatomy of the Protest Banner”, Disegno, #16, Print.

2017: Barbara Lau, Jennifer Scott, Suzanne Seriff, “Designing for Outrage: Inviting Disruption and Contested Truth into Museum Exhibitions”. National Association for Museum Exhibition. Spring 2016. Print.

2017: Yang, Linda, “The Woman Behind the Library Where You Can Rent Signs Protesting Trump”, Broadly.Vice, December 16, 2017, https://broadly.vice.com/en_us/article/5955mb/the-woman-behind-the-library-where-you-can-rent-signs-protesting-trump

2017: Peña, Mauricio, “The Best Protest Banners of 2017 that You Can Borrow,” Chicago Magazine, December 4, 2017, http://www.chicagomag.com/city-life/December-2017/The-Best-Protest-Banners-of-2017-that-You-Can-Borrow/ 

2017: Voon, Claire, “A Lending Library for Handmade Protest Banners”, Hyperallergic, November 2, 2017, https://hyperallergic.com/407390/lending-library-protest-banners/

2017: Stephens, Regan, “You Can Borrow a Protest Banner From Chicago’s Newest Lending Library, Lonely Planet, October 26, 2017, https://www.lonelyplanet.com/news/2017/10/26/chicago-protest-banner-lending-library/

2017: Morris, Kadish, “The Protest Banner Library Where You Can Rent Signs of Rage”, Broadly.Vice, September 28, 2017, https://broadly.vice.com/en_us/article/59dwj8/aram-han-sifuentes-protest-banner-lending-library

2017: Morris, Kadish, “Turning protest banners into striking, effective works of art”, Huck Magazine, September 13, 2017, http://www.huckmagazine.com/art-and-culture/art-2/meet-chicago-artist-running-protest-banner-library/

2017: Norman, Lee Ann, “Breakout Artists 2017”. Newcity. May Issue. Print

2017: Reilly, Alison, “A Protest Banner Lending Library”. Chicago Gallery News. Print

2017: Rhee, Nissa, “Aram Han Sifuentes”. 90 Days, 90 Voices. May 6, 2017. https://90days90voices.com/aram-han-sifuentes-3ba3b2a76808

2017: Ducey, Karen, “Studying for U.S. Citizenship one stitch at a time”. Crosscut. April 6, 2017. http://features.crosscut.com/studying-for-us-citizenship-one-stitch-at-a-time

2016: Robertson, Kirsty and Vinebaum, Lisa, “Crafting Community”. Volume 14, 2016-

Issue 1. TEXTILE. Print.

2016: Ladd, Jack, “An election-night event for those who couldn’t vote”. Chicago Reader. November

9, 2016. https://www.chicagoreader.com/Bleader/archives/2016/11/09/an-election-night-event-for-those-who-couldnt-vote

2016: Sinner, Lauren. “Aram Han Sifuentes’ solo exhibition The Official Unofficial Voting Station:

Voting for All Who Legally Can’t.” Fall 2016: Mending, Surface Design Journal. Print.

2016: Gupta Wiggers, Namita. “Studio Visit with Aram Han Sifuentes”. Critical Craft Forum Podcast. November 1, 2016. Episode 2.

2016: Rodriguez, Yanessa, “Aram Han-Sifuentes Interview” (2016). Asian American Oral History

Project. Paper 70. http//via.library.depaul.edu/oral_his_series/70

2015: André-Louis Paré, “Aram Han Sifuentes: The Politics of an Immigrant”, No 111, Fall 2015:

Migration, Espace Art Actuel Magazine. Print.

 

ADDITIONAL PRESS REFERENCES

2019: Waltz, Amanda, “Race and Revolution: Still Separate and Unequal examines educational discrimination in Pittsburg to address a national problem, Pittsburg City Paper, May 1, 2019, https://www.pghcitypaper.com/pittsburgh/still-separate-still-unequal-examines-educational-discrimination-in-pittsburgh-to-address-a-national-problem/Content?oid=14874428&media=AMP+HTML&fbclid=IwAR3HtcWEE9_gpXOsWJU6BVe1ZbVIjahCuHvn_ehxANYc0gv3jmuJBWtZgZ0

2018: Neuendorf, Henri, “’The List,’ an Artwork Cataloging Refugee Deaths, is Heading to New York, Art Net, September 13, 2018, https://news.artnet.com/art-world/forward-union-fair-1347857

2018: Kis, Eva, “The Powers of Art and Activism Combine at Forward Union Fair, Metro New York, September 25, 2018, https://www.metro.us/things-to-do/new-york/forward-union-fair-art-show-activism

2018: Podcast Episode No. 343: Carrie Moyer, Aram Han Sifuentes, Modern Art Podcast, May 31, 2018.

2017: Waxman, Lori, “The year in visual art was a dizzying reflection of today”, Chicago Tribune, December 14, 2017, http://www.chicagotribune.com/entertainment/ct-ae-best-chicago-art-2017-1217-story.html

2017: Holder, Alex, “2017: the year that protest became a trend?”, It’s Nice That, December 14, 2017, https://www.itsnicethat.com/features/review-of-the-year-2017-protest-141217

2017: Associated Press, “Trump’s Presidency Sparks Protest Art Revival,” USA Today, November 9, 2017, https://www.usatoday.com/videos/news/nation/2017/11/09/trumps-presidency-sparks-protest-art-revival/107490770/

2017: McKean, Lise, “Expo Chicago 2017: Beyond the Numbers”, Bad at Sports, September 13, 2017, http://badatsports.com/2017/expo-chicago-2017/

2017: Luquet-Gad, Ingrid, “To Chicago with Art,” Les Inrockuptibles, 2017, Print

2017: Borrelli, Chris, “Commentary: Look at the arts, and you’ll see the feeling of the nation is dislocation,” Chicago Tribune, September 8, 2017, http://www.chicagotribune.com/entertainment/ct-ae-fall-preview-essay-dislocation-0910-story.html

2017: Foumberg, Jason, “Embrace the Expo”, Chicago Magazine, September 5, 2017, http://www.chicagomag.com/Chicago-Magazine/September-2017/How-to-Buy-Art/Rule-No-5-Embrace-the-Expo/

2017: Wainwright, Oliver, “Beazley Design Awards Feature Brexit, Refugees and Political Activism, The Guardian, August 16, 2017, https://www.theguardian.com/artanddesign/2017/aug/16/political-protest-equality-humanitarian-aid-inspire-best-designs-year

2017: Bertoli, Rosa, “The Design Museum reveals the shortlist for the 2017 Beazley Designs of the Year, Wallpaper, August 16, 2017, https://www.wallpaper.com/design/design-museum-beazley-designs-of-the-year-2017-shortlist#205652

2017: Holland, Oscar, “’Pussyhat’ and refugee flag shortlisted for Beazley Designs of the Year, CNN, August 17, 2017, http://www.cnn.com/style/article/beazley-designs-of-the-year-2017-design-museum/index.html

2017: Morby, Alice, “Kanye West and IKEA among Designs of the Year 2017 nominees”, Dezeen, August 16, 2017. https://www.dezeen.com/2017/08/16/kanye-west-ikea-among-designs-of-the-year-nominees-news/

2017: Small, Zachary, “18 Artists Tackle America’s ‘School-to-Prison Pipeline’”, Artsy, July 3, 2017. https://www.artsy.net/article/artsy-editorial-18-artists-tackle-americas-school-to-prison-pipeline

2017: Stromberg, Matt, “Inventive Responses to Labor and Immigration Issues at Human Resources”. Hyperallergic. March 23, 2017. https://hyperallergic.com/367492/inventive-responses-to-labor-and-immigration-issues-at-human-resources/

2017: Glemans, Gayle. “Review: ‘Everything has been material for scissors to shape’ is a flow of textiles, interrupted”. The Seattle Times. March 21, 2017. https://www.seattletimes.com/entertainment/visual-arts/review-everything-has-been-material-for-scissors-to-shape-is-a-flow-of-textiles-interrupted/

2017: Gabbatt, Adam, “The Resistance Now: Big Corporations Come at Trump on Climate”. The Guardian. March 31, 2017, https://www.theguardian.com/us-news/2017/mar/31/the-resistance-now-corporations-donald-trump-climate

2017: Ladd, Jack and Levitt, Aimee, “Crafty Preparations for the Women’s March”. Chicago Reader. January 19, 2017, https://www.chicagoreader.com/Bleader/archives/2017/01/19/crafty-preparations-for-the-womens-march

2016: Sinner, Lauren, “Everything is Material for Scissors to Shape”. 31 August. Surface Design.

http://www.surfacedesign.org/everything-material-scissors-shape/

2016: Rendón, Pedro, “’Voto ilegal’ da triunfo a Hillary en elecciones de EU… en la IBERO”.

15 September, IBERO Ciudad de México, http://ibero.mx/prensa-y-multimedios?sitio=detalle_comunicado.php&id_noticia=3228&foto_principal=1

2015: Podcast Episode 521: Terrain!, Bad at Sports, Chicago, IL

 

EXHIBITION CATALOGS

2019: Generation Press, “Design Museum’s Designs of the Year Award Between 20017 and 2017”, Design Museum, Print.

2018: “Cry of Victory and Short Walks to Freedom,” Projects + Gallery, Print.

2018: “Through Her Eye,” Mana Contemporary, Print.

2017: Generation Press, “Designs of Our Time: 10 Years of Designs of the Year”, Design Museum, Print.

2017: Generation Press, “Beazley Designs of the Year 2017”, Design Museum, Print.

2016: “Threat of Splendor”, The Chung Young Yang Embroidery Museum, Sookmyung Women’s University, Print.

2013: “New Fibers 2013”, Exhibition Catalogue, Fiberart International. Print.