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WRITING

MONOGRAPH: WE ARE NEVER NEVER OTHER
Illinois State University
2021
2021

BACKWARDS AND FORWARDS: REFLECTIONS IN PORCUPINE QUILLS
Aurora Cultural Center
2023
2023

A LOVE LETTER TO THIS BRIDGE CALLED MY BACK
University of Arizona Press
2022
2022

HOW INTERNALIZED WHITE SUPREMACY MANIFESTS FOR MY BIPOC STUDENTS IN ART SCHOOL
Art Journal 80, no. 2
2021
2021

OFFICIAL UNOFFICIAL VOTING STATION: VOTING FOR ALL WHO LEGALLY CAN'T
Art Journal Open
2020
2020

MY IMMIGRANT PARENTS WON'T CLOSE THEIR SHOP (AND THEY REALLY SHOULD)
Quarantine Times
2020
2020

PROTEST MAKING: HOW CRAFTING COLLECTIVELY CAN EMPOWER DISENFRANCHISED PEOPLE
Craft Council
2020
2020

“A MOTHER'S WORK: A MOTHER/DAUGHTER/SEAMSTRESS/FIBER ARTIST'S MERGING PRACTICE AND POLITICS
In "The Maternal in Creative Work: Intergenerational Discussions on Motherhood and Art"
2021
2021

BE BOLD! THERE IS NO OTHER OPTION
The Funambulist Issue 26
2019
2019

FOR THOSE WHO TALK BACK
Dilettante Army
2019
2019

UNSETTLING COLONIALITY: A CRITICAL AND RADICAL FIBER/TEXILE BIBLIOGRAPHY
Critical Craft Forum
2018
2018

LEONARD SURYAJAYA: DON'T HOLD ONTO YOUR BONES
Asian Diasporic Visual Cultures and the Americas
2017
2017

STEPS TOWARDS DECOLONIZING CRAFT
Textile Society of America
2017
2017

QUESTIONING AMERICAN-NESS: ARTISTS YASUO KUNIYOSHI AND ARAM HAN SIFUENTES
Smithsonian Archives of American Art
2015
2015
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